Exhibition - Flesh: Skin and Surface - York Art Gallery (2016-17)

23 September 2016 - 19 March 2017

Flesh - exhibition at York Art Gallery 2016-1017Flesh: Skin and Surface is a new exhibition at York Art Gallery, co-curated by Dr Jo Applin, formerly of the University of York's History of Art Department and Laura Turner and other curators at the Gallery. Flesh opened on 23 September 2016 and runs until 19 March 2017. The exhibition is supported by the Henry Moore Foundation and Thomas Dane Gallery, London.

Flesh includes more than 60 works of art by artists ranging from the 14th-century Master of the San Luchesse Altarpiece to contemporary sculptor Ron Mueck, and examines the ways artists such as Peter Paul Rubens, Auguste Rodin, Degas, William Etty and Francis Bacon respond to issues of the flesh: whether human or animal; dead or alive; familiar or strange.

Dr Applin said: "My research into questions of the body, materiality and abstraction, and the various ways in which sculpture in particular has engaged with the idea of 'flesh' since the mid-twentieth century has proven critical to the way in which I conceived this exhibition with my co-curators at York Art Gallery.

"In particular we wanted to think about how even the most abstract object can in some way encourage a bodily encounter. We also wanted to draw across a broad chronological range in order to think about the different ways in which 'flesh' has figured in the work of art.

"Our hope was to produce a show that both challenged and encouraged visitors to think about how flesh is figured in the work of art in expansive, and not always literal or 'obvious' ways."

Francis Bacon, Portrait of Henrietta Moraes on a Blue Couch, 1965, oil on canvas (Manchester Art Gallery, UK / Bridgeman Images ©The Estate of Francis Bacon. All rights reserved. DACS 201)

Francis Bacon, Portrait of Henrietta Moraes on a Blue Couch, 1965, oil on canvas (Manchester Art Gallery, UK / Bridgeman Images ©The Estate of Francis Bacon. All rights reserved. DACS 2016)

Laura Turner, senior curator of art and science at the Gallery, said: "'Flesh' is a word that immediately provokes a reaction – it is no surprise that artists have always drawn on this tactile, organic and changeable material for inspiration.

"From still life paintings and anatomical studies to abstract sculpture and contemporary film, Flesh presents a series of visual encounters which surprise and challenge, raising questions about the body and ageing, race and gender, touch and texture and surface and skin."

Flesh exhibition at York Art Gallery: Interior with Nude by Harold Gilman, York

Harold Gilman, Interior with Nude (York Art Gallery)

Abstract

Art works, including modern and contemporary pieces, are grouped into three themes –Figuring Flesh,Still Life, and Materiality and Surface.

Figuring Flesh will look at how 'flesh' is understood and questions if it always has to be related to the human body.

Flesh exhibition, York Art Gallery, 2016: A Game Stall by Frans Snyders, c1630,

Frans Snyders, A Game Stall, c.1630 (York Art Gallery)

Still Life looks at the way this genre is often loaded with meaning about life, decay, and the nature of worldly goods. 

Materiality focusses on the abstract ways in which flesh is portrayed. On show are eight of Katarzyna Mirczak's 'The Special Signs', in which she documented the tattoos from pieces of skin posthumously removed in the 19th Century from prisoners in Krakow and kept preserved in formaldehyde.

The final room will be dedicated to Steve McQueen's film entitled 'Bear' (1993), his first major film, which shows two men wrestling together, with close ups focussing on their interlocking bodies.

Flesh exhibition at York Art Gallery: Dead Christ with Virgin and St John, Master of the San Luchesse Altarpiece (1300-1399). York Art Gallery

Master of the San Luchesse Altarpiece, Dead Christ with Virgin and St John, 1300-1399 (York Art Gallery)

Flesh exhibition at York Art Gallery: Untitled No 26, by Jen Davis, 2007. Courtesy of Lee Marks Fine Art, IN and ClampArt, NY

Jen Davis, Untitled No 26, 2007 (courtesy of Lee Marks Fine Art, IN and ClampArt, NY)

 

Main image: Peter Paul Rubens, Ceres and Two Nymphs with a Cornucopia (detail), c. 1617-27, oil on panel (by permission of the Trustees of Dulwich Picture Gallery, London)

View all our collaborations