Collaborative Doctoral Partnership with Tate (2017-20)
Rhian Addison, 'The Landscape Painter’s Studio in the Age of Exhibitions: Private Galleries in London, from Gainsborough to Constable and Turner, c.1780–1850'
Read Rhian Addison's profile on the Tate website.
Main image: Thomas Gainsborough, Wooded Upland Landscape (detail), probably 1783, oil on canvas. Image public domain; the Metropolitan Museum of Art, New York (www.metmuseum.org/art/collection/search/436441)