Conference: Visions of the North (2016)
Compton Verney, 17 June 2016
A one-day international conference Visions of the North: Reinventing the Germanic “North” in Nineteenth-Century Art and Visual Culture in Britain and the Low Countries was held at Compton Verney Museum on 17 June 2016.
It was organised by Professor Juliet Simpson (Coventry University), Dr Susanna Avery-Quash (The National Gallery, London), Dr Jeanne Nuechterlein (University of York), and Professor Marjan Sterckx (Ghent University).
Nicola Sinclair (University of York/The National Gallery, London) gave a paper on: ‘A “bastardized and soulless school”? Finding a place for Fifteenth- and Early Sixteenth-Century Cologne and Westphalian Paintings in British Accounts of Art History, 1840s-1880s’. The paper was part of a panel on Reframing/Contesting Germanic Art: ‘National’ Collections and Identities of German Art –Nineteenth-Century Britain, chaired by Dr Nuechterlein. See the programme for a complete list of speakers.
The conference was the second in a trilogy of international conferences with related publications and academic and international museum collaborations, as part of the international network Reinventing Northern European Art and Visual Culture from the 1830s to the 1930s: Nation, the ‘Primitive’ and Cultural Identity. The first was ‘Primitive Renaissances’: Northern European and Germanic Art at the Fin de Siècle to the 1930s held at the National Gallery, London, in April 2014; the third, on Gothic Modernisms, will be held at the Rijksmuseum, Amsterdam, in June 2017.
Main image: Lucas Cranach, Lot and his Daughters, c. 1530, oil on panel, photo © Compton Verney